Hilton Als: IN BLACK AND WHITE
Marcos Lutyens: THE 2-POP (A HOLLYWOOD INDUCTION)
Martine Syms: AN EVENING WITH QUEEN WHITE
Frances Stark: IAN F. SVENONIUS’S “CENSORSHIP NOW ...”
Tauba Auerbach: (P)(E)(R)(S)(E)(V)(E)(R)(E)
Valentina Desideri & Denise Ferreira da Silva: A POETHICAL READING
Jack Self: REAL REVIEW
Angie Keefer: WHAT IS WHAT (A PLAY IN ONE ACT)
Octavia E Butler: SPEECH SOUNDS
Chris Evans: COP TALK (NEW YORK CITY)
Library Stack: REALITY WINNERS
Anne Carson: NELL
Patrick Staff: SEIZURE
Mark Leckey: EXORCISE THE BRIDGE @EASTHAM RAKE
Adrian Piper: CIVIL DISOBEDIENCE: CONTRACTS AND CONTEMPT
 
Lucy McKenzie: 15 QUODLIBETS
Jocelyn Penny Small: IS LINEAR PERSPECTIVE NECESSARY?
Vincenzo Latronico: TO THE MALEVOLENT READER
Sarah Demeuse: CHAMPAGNE WISHES AND CAVIAR DREAMS
Abigail Reynolds: LOST LIBRARIES
Mathew Kneebone & James Langdon: VECTORS FOR LOOKING
9mother9horse9eyes9: THE INTERFACE SERIES
Johan Hjerpe: FANTASTIC PERSPECTIVE
Jumana Manna & Robert Wyatt: NOTHING IS MORE RADICAL THAN THE FACTS
Mark de Silva: DISTANT VISIONS
 
Umberto Eco: THE COLORS WE SEE
Dexter Sinister: BLAZON 4 MOHOLY-NAGY
Muhammad Ali: WHY IS JESUS WHITE?
Tamara Shopsin: HOMAGE TO AN HOMAGE OF AN HOMAGE
James Langdon: NOW IN COLOR
Dexter Sinister: GREY AREAS
Amy Sillman: DRUG, POISON, REMEDY, TALISMAN, COSMETIC, INTOXICANT
Lucas Benjamin: COLORLESS GREEN IDEAS
Emily Gephart: THE SPECTRA POETRY HOAX
Stuart Bertolotti-Bailey: SO-CALLED EPHEMERA
T.E. White: COLOR SWATCHES
 
Eds.: BULLS REDUX
 
Stuart Bailey, David Reinfurt, and Christoph Keller: THREE MULLIGANS
Vincenzo Latronico: BRIDGE TOO FAR
Rob Giampietro: FAIR PLAY
Junior Aspirin Records: THE SPORTING LIFE
Carlin Wing: NOT WITHOUT MATTER OR SUBSTANCE
Chris Evans: ERRORS HIT ORIENT
Justin Warsh and Miguel Abreu: SERVE AND VOLLEY
Linus Elmes: ENDLESS COMBINATIONS
David Peace: I AM A CHRISTIAN AND A SOCIALIST DESPITE YOU
James Langdon: ROCK, PAPER, CHISEL
Leila Peacock: QUIET EYES, MAGIC GUTS
Joe Scanlan: THREE OBJECT LESSONS
Kathy Acker: AGAINST ORDINARY LANGUAGE: THE LANGUAGE OF THE BODY
Sarah Demeuse: FINISHED LINE
Philip Ording: TRIANGLE O
 
Emily Gephart: MEDIUMS AT LARGE
Lucy Mulroney: I’D RECOGNIZE YOUR VOICE ANYWHERE
Michael Bracewell: BLACK/SILVER
Ben Davis: ART WORLD MEDIUM
Larissa Harris: IT JUST HAD SOMETHING TO DO WITH NEW YORK
Ian Svenonius: TRANSMISSION
Stuart Bailey: PROCEDURAL
Elie Ayache: IN THE MIDDLE OF THE MIDDLE OF THE EVENT
Joe Scanlan: 23 THOUGHTS ABOUT DIRT
Paul Elliman: DETROIT AS REFRAIN
Eli Diner: AHA
 
Philip Ording: ROUND AND ROUND AND ROUND
Cory Arcangel: THE SOURCE ISSUE 1
Katherine Pickard: ZII... ETC.
Perrine Bailleux: SISTERS?
Vincenzo Latronico: TRUTHS OUT OF THIN AIR
Dan Fox: BEAT GENERATION
David Reinfurt: C. 1962
John Dewey and James McLellan: THE PSYCHOLOGY OF NUMBER
Angie Keefer: FUTURES
David Foster Wallace: THE BEST OF THE PROSE POEM
Rosie Cooper: FRILTHY BUSINESS
Byron Cook, Tauba Auerbach, David Reinfurt: RELATIONS
Justin Warsh: A THOUGHT EXPERIMENT
Mathew Kneebone: EB4747
James Langdon: GILBERT ADAIR CONTINUED
 
Chris Fite-Wassilik: DRY CLEAN ONLY
Joke Robaard: SOCIAL FABRIC
Angie Keefer: WHERE WERE WE
Perri MacKenzie: A RUNNING COMPOSITION
Adolf Loos: REGARDING ECONOMY
Sarah Demeuse: WHO NOSE
Brian Eno: AXIS THINKING
Kuki Shûzô: PARALLEL LINES
Stuart Bailey: HARDY PERENNIALS
Robin Kinross: BUTTONED-DOWN
Eli Diner and Sanya Kantarovsky: ROBES AND GEOMETERS
Nick Relph: A LIST OF INCORRECT THINGS
Eli Diner: CC
 
David Reinfurt: G-E-S-T-A-L-T
Michael Bracewell: GERMANY IS YOUR AMERICA
Leila Peacock: THE HORSE’S LAUGH
Jan Verwoert: WHAT EXACTLY DO YOU REMEMBER?
Mike Sperlinger: SEVENTEEN TYPES OF AMBIGUITY
Diedrich Diederichsen: LISTENING, LISTENING AGAIN, QUOTING
Philip Ording: A DEFINITE INTUITION
Isla Leaver-Yap: WE HAVE A TOPIC!
 
Jan Verwoert and Malcolm Mooney: CAN?—!
Dexter Bang Sinister: BLACK & WHITE PSYCHEDELIA
Lars Bang Larsen: GIRAFFE AND ANTI-GIRAFFE
Lars Bang Larsen: NNNNNNWAHHHHH!
Hollis Frampton: A LETTER
The Digital Theatre: DAVID BOWIE
Diedrich Diederichsen: ZABRISKIE POINT REVISITED
Rob Giampietro: L, I, F, E
Mark Beasley: TIE-DYE IN MY ARM
Francis McKee: FIVE FATHOMS
Lars Bang Larsen: JAN 21 – OCT 28, 2012
Dexter Bang Sinister: GOOD SHIT
Rhea Dall and Charlotte Johannesson: STATION TO STATION
Albert Angelo: ACID PANTONE 274U
 
Bruno Latour: HOW TO DO WORDS WITH THINGS
Ian Svenonius: RAMALAMADINGDONG
Chris Evans: UNTITLED
David Reinfurt: A MILLION RANDOM DIGITS ...
Louis Lüthi: A DIE WITH 26 FACES
Angie Keefer: NO-BRAINER
Graham Meyer: LET’S EAT GRAMMAR
Andrew Blum: MMMMMMMMMMMM ...
Pierre-André Boutang: L'ABECEDAIRE
Dexter Sinister: LETTER & SPIRIT
Jessica Winter: BROUGHT TO YOU BY THE LETTER I
Francis McKee: FOR X
Benjamin Tiven: FALSCHUNGSERSCHWERENDE SCHRIFT
 
Angie Keefer: WHY BOTHER
Rob Giampietro: I AM A HANDLE
Jan Verwoert: IF THINGS ARE NOT QUICKLY TO GO PEAR-SHAPED
Dimma Davidoff: THE ORIGINAL MAFIA RULES
Stuart Bailey: IT IS THE OUTSIDEDNESS FLAVOR OF IT
Peter Fischli and David Weiss: ORDER AND CLEANLINESS
Perri MacKenzie: ∆
Anthony Huberman: HOW TO BEHAVE BETTER
Junior Aspirin Records: AUDIO ANNOTATIONS
David Senior: ACCESS TO TOOLS
Július Koller: U.F.O.
David Reinfurt: EVERYTHING IS IN EVERYTHING
 
Rob Giampietro, David Reinfurt: FROM 0 TO 1
Rob Giampietro, David Reinfurt: FROM 1 TO 0
Angie Keefer: AN OCTOPUS IN PLAN VIEW
Dexter Sinister: A NOTE ON THE TYPE
Bruce Sterling: THE LIFE AND DEATH OF MEDIA
Dexter Sinister: A NOTE ON THE TIME
 
Michael Bracewell & Damien Hirst: MEANING, VALUE, ART, TREASURE, AND TIME