Please join us on FRIDAY 8 DECEMBER AT 6:00PM when graduate students from the Royal College of Art in London will present “The Serving (Library)”: an event and intervention. For one night only, the “library” will be removed and the “serving” emphasized. Artists and writers Judith Deschamps, Alasdair Asmussen Doyle, Johanna Flato, Jorge Simelio Jurado, Louis Shankar and Sophie Tolhurst will remove The Serving Library’s objects and publications and offer as replacements: placeholders, an archive, a catalog, a substitute, and a Giftschrank (gift + schrank: a poison cabinet, or a place to store controlled substances, including “dangerous” books). The outcome of a teaching workshop that has taken place over the past year, this informal event is free for any interested parties to join. Readings and discussion will take place over drinks. Following this, we will be closed for an extended period while the space is used for another exhibition.

Meanwhile, our woodcut print edition “Perspectives” by Sanya Kantarovsky makes an ideal seasonal gift – as does a subscription to The Serving Library Annual; and we’re offering a 15% discount on both until the end of the year. More details here and here.

Image © National Museums Liverpool

*

Please join us on SATURDAY 25 NOVEMBER AT 6:30PM when Paul Elliman will present “Detroit as Refrain / The Liverpool Echo”

As part of a symposium organised by Liverpool Biennial & Liverpool John Moores University titled “Design & Empire [working title]”, Liverpool Biennial 2018 artist Paul Elliman will recollect in songs and totemic objects a trajectory implied by three very different geographical locations of his youth, when his family migrated from Merseyside to Detroit, Michigan, and then to Santa Clara County in northern California, better known today as Silicon Valley. The same evening, we will also be launching THE SERVING LIBRARY ANNUAL 2017/18, on this occasion edited in collaboration with LA-based enterprise Public Fiction and newly published by Roma Publications. Drinks will be served. The event is FREE, as usual, but REGISTRATION IS REQUIRED via one of these links, which also provide more information about the weekend:

www.biennial.com/events/design-empire-working-title www.ljmu.ac.uk/about-us/events/design-and-empire

Below: “Break of day in Mold”, pencil drawing, 7"x7", PE, 1985 / Phil’s Radio (Roberts R606), c.1980

*

Presented by The Serving Library and Liverpool Biennial:

Please join us on THURSDAY 16 NOVEMBER FROM 5 – 6.30pm for the inaugural screening of one of the “Loose Associations Lectures” by Chester-born artist Ryan Gander, newly assembled here in the form of a four-channel video. Gander is one of the confirmed Liverpool Biennial 2018 artists and will be present to introduce the video beforehand, answer questions afterwards, and possibly talk over the top of it throughout. The lecture at the heart of the video consists of a series of loosely associated anecdotes on often overlooked or undercover aspects of art, design and language. Subjects range from “desire lines” to the NatWest logo; from Ryan’s Aunt Deva to Homer Simpson; from The Knowledge of London’s cab drivers to Star Trek’s Klingon language. Two loosely-connected versions of the lecture series have been delivered to countless audiences over the years, and both were originally published in The Serving Library's predecessor journal, Dot Dot Dot. Note that we will start at 5pm promptly so that visitors are able to attend the opening of the new Tate Liverpool exhibitions that evening. As usual, the event is FREE but on this occasion BOOKING IS REQUIRED here.

*

8 November 2017, 6:30pm at the Institute for Contemporary Arts The Mall, London SW1Y 5AH http://www.ica.art/visavis

As an event format, the “vis-à-vis” brings two things into a relationship with each other. It concerns an exchange between counterparts and colleagues, and is usually a private conversation. To coincide with the launch of REAL REVIEW #5 and THE SERVING LIBRARY ANNUAL 2017/18, the ICA is pleased to present some of the editors from both publications engaged in a public face to face discussion, analysis and mutual critique. They will aim to explore questions like, “why do we print?,” “what should we write about?,” “who reads?,” and “what does it mean to live today?”

*

Please join us on THURSDAY 19 OCTOBER AT 6:30PM when London-based artist Philomene Pirecki will discuss her work relative to time, memory, transformation, and proximity. The starting point is an extremely colorful “Grey Painting” of Philomene’s that has inhabited The Serving Library’s collection since 2010. Spend some time with this small canvas and you may realise the painting was its own palette, its vivid primary colors gradually mixing to form its own dirty grey frame. Keep looking, and you may also notice that that ‘frame’ is actually a set of overlaid geometric letters: a G, an R, an E and a Y entwined in more or less impossible ways. In short, time and transformation are emphatically written into the surface of the work. From there, Philomene will talk us through some subsequent photographic and sculptural work, periodically spiralling in and out of a series of observations on the slippery nature of temporality itself – not least our attempts to grasp, structure, and contain it.

*

Please join us on THURSDAY 13 JULY at 6.00 pm to hear Francesco Manacorda, in his final days as artistic director of Tate Liverpool, describe a dream exhibition he never got to make while in office involving the work of three subtractive Italian artists: Michelangelo Pistoletto, Lara Favaretto, and Bruno Munari. Francesco’s line of thinking extends from a print in The Serving Library’s collection of objects by British artist Will Stuart, which is based on one of Pistoletto’s “Minus Objects’ called “Struttura per parlare in piedi.” This is supposed to translate as the eminently pragmatic “Structure for talking while standing,” but the hastily misspelled version that captioned Will Stuart’s print — “Struttare per parla de piedi” — translates as a far more engimatic and potentially profound proposition: “Covering with lard in order to talk about feet.” This sets the tone for the rest of the evening, which will be spent drinking to Francesco’s imminent subtraction from the city with the bar open and serving for a modest fee. We will then close for the rest of the summer, reopening in late September with a fresh program of events and a new set of Bulletins released both online and in a newly enlarged print edition via ROMA publications.

*

Please join us on the way back from the polling station next THURSDAY 8 JUNE, UK ELECTION DAY, at 6.30 pm, to listen collectively to ON BREXIT, one of our irregular AUDIO ANNOTATIONS sessions – a themed playlist of past and present music devised, debated, campaigned, and voted on by Andy Cooke, Dan Fox, & Nathaniel Mellors of the quintessentially British record label JUNIOR ASPIRIN RECORDS. From the country that brought you sterling classics like The Restoration, Luddism, Tony Blair, Margaret Thatcher, the machine gun, and global colonial subjugation, comes this epic montage narrated in broken English, to be delivered at maximum volume in complete darkness.

For a hint of what’s in store, see the following Bulletin pertaining to previous editions of AUDIO ANNOTATIONS. Blindfolds will be provided, and the bar will be open, serving for a modest fee. All welcome.

*

Please join us on THURSDAY 11 MAY at 6 pm for KEYWORDS FOR DUMMIES: SPECULATION, where trader and philosopher Elie Ayache will address the slippery subject of financial and other forms of SPECULATION. In 1987, Ayache began working on the stock market floor the same day of a significant crash. In 1998, he founded ITO 33, a company that develops sophisticated software for the finance sector. In 2010, he published a ground-breaking book, “The Blank Swan,” in response to Nassim Taleb’s bestseller on the highly improbable, “The Black Swan.” And in 2015, he followed up with “The Medium of Contingency,” which further explores the intersection of materialism, speculative realism, probability, and finance. Related to all this, the Serving Library released an edited version of a talk Ayache ad-libbed to a London art audience titled “In the Middle of the Middle of the Event,” available to download here from issue #8 of Bulletins. The bar will be open, serving for a modest fee. All welcome.

*

Inaugurating The Serving Library’s new long-term residence at Exhibition Research Lab, artist Abigail Reynolds recounts her episodic journey on motorbike along a line across the world from Cornwall to Xi’an and back again, with stops and starts at fallen library sites. The talk is timed to coincide with the April 1st release of the second installment of her incremental bulletin, Lost Libraries, and is introduced by The Serving Library’s Angie Keefer and concluded in conversation with Public Fiction’s Lauren Mackler.

On Saturday 1 April at 6 pm

The Serving Library
c/o Exhibition Research Lab
Liverpool John Moores University
John Lennon Art and Design Building
Duckinfield Street
Liverpool L3 5RD, UK

*

Please join us on WEDNESDAY 1 FEBRUARY at 6.30 pm for DAVID CROWLEY, ON "TY I JA" [YOU AND ME]. David Crowley will introduce us to “Ty i Ja,” a magazine run by the communist women’s league in communist Poland until around 1960, when it was hijacked by a group of young artists, designers, writers, and filmmakers. Thereafter, it served as a vehicle for fantasies largely prohibited in the Soviet bloc. "Ty i Ja" was at first used like a seance—to make contact with the dead from the world before the “revolution." Later, it became the home of a cargo cult: its pages filled with sparkling “pop" advertisements for products in such short supply that they needed no promotion. The evening will also include screenings of films: extracts from Vera Chytilova’s “Daisies," Walerian Borowczyk’s “House," and Roman Polanski’s “Lamp."

*

Please join us on THURSDAY 15 DECEMBER at 7.30 pm for WINTER SERVING VARIETY BENEFIT LIBRARY GALA SHOW. Music from OMD‘s “Dazzle Ships” reworked by the band for the occasion and performed with live semaphore; a special Keywords for Dummies session on “algorithm” explained by David Reinfurt with a pack of oversized playing cards; irregular punctuation by parallax percussion double-act Rattle; an acoustic set by Spanish troubadour Victor Herrero; an exclusive screening of The Great Silence (2015) by artists Allora & Calzadilla; and a specially commissioned limited edition woodcut by artist Sanya Kantarovsky titled Perspectives -- also the theme of upcoming Bulletins of The Serving Library #12.

*

Please join us on THURSDAY 1 DECEMBER at 6.30 pm for JAMES LANGDON, ON VECTORS FOR LOOKING. If you stay in one place it becomes easier to observe movement. Until your presence begins to interfere with what is going on. Then the thing you want to observe moves out of view and you have to follow it. But now it is almost impossible to recover your original position . . . What are you looking at anyway? If you want to see what is really there – the truth – you might have to accept that looking is always a matter of faith.

*

Please join us on THURSDAY 17 NOVEMBER at 6.30 pm for the screening of BLUE by DEREK JARMAN. This screening is the second in a series in partnership with Tate Liverpool, programmed in view of the museum’s current exhibition "Yves Klein: Theatre of the Void," curated by Darren Pih. Jarman made “Blue” in 1993 after seeing a monochrome painting by Klein at the Tate Gallery in 1974. He dedicated the film to the French artist, originally including a photograph of a painting by Klein using the ultramarine pigment solution patented as "International Klein Blue."

*

Please join us on THURSDAY 27 OCTOBER at 6.30 pm for KEYWORDS FOR DUMMIES: INTELLECTUAL PROPERTY. "Keywords for Dummies" is a new series of talks presented by The Serving Library in an effort to saddle some commonly used terms that remain wildly misunderstood despite being highly circulated. We begin with Liverpool-based curator Darren Pih and Italian writer Vincenzo Latronico on the subject of Intellectual Property.

*

Please join us on SUNDAY 9 OCTOBER at 11 am for On Pentimenti a talk by SANYA KANTAROVSKY around and about The Librarian (2012), a small oil painting in The Serving Library’s archive of artifacts.

*

Please join us on THURSDAY 8 SEPTEMBER at 8 pm for CGI (COLORLESS GREEN IDEAS), a talk on two levels concerning the recent (in)visibility of chroma-key green and other disappearing hues by LUCAS QUIGLEY and adapted from the bulletin by Lucas Benjamin.

*

Please join us on THURSDAY 4 AUGUST at 8 pm for KANDINSKY ON COLOUR IN SPACE WITH NOTE, a demonstration of Bauhaus painter and pedagogue Wassily Kandinsky's 1924 thinking on the spiritual in art.

*

Please join us on SUNDAY 10 JULY 2016 from 6 pm onwards for an extended introduction to the space and to celebrate the launch of BULLETINS OF THE SERVING LIBRARY #11 which is both printed in and concerned with COLOR.

*