THE LIBRARIAN

MONUMENT TO COOPERATION

THE SMOKE OF MY OWN BREATH

J.D. SALINGER'S FRANNY AND ZOOEY

CAMOUFLAGED SHIP IN DRY DOCK

FROM BOLT TO BULB

COLOR PORTRAIT OF UMBERTO ECO

OUIJA BOARD FOR JOSEF ALBERS

CONTROL MAGAZINE

THE VARIABLE: TRANSLATOR

FAXED DRAWING OF UK SHIPPING FORECAST REGIONS

BHUTAN TALKING STAMPS

ILLUSTRATIONS FOR ROBES AND GEOMETERS

WIRE’S PINK FLAG, CHAIRS MISSING, 154, AND ON RETURNING LP SLEEVES

JOHN FOXX’S METAMATIC AND THE GARDEN LP SLEEVES

OPENING PAGE OF THE FIRST U.S. EDITION OF JAMES JOYCE’S ULYSSES

CHROMA KEY GREEN VIDEO PAINT

THE BOY WHO ALWAYS LOOKED UP

POSTER FOR NAIVE SET THEORY

BERLIN KEY MANGLED

LOGO FOR MIT PRESS / LOGO FOR BLACK FLAG

FOUR PICTURES OF ULRICH ROSKI

ADVERTISEMENT FOR WATCH WYOSCAN 0.5 HZ

WATCH SCAN 1200 DPI

XTC’S GO 2 LP SLEEVE

POSTER FOR ATELIER E.B

PORTRAIT OF WYNDHAM LEWIS

FALSCHUNGSERSCHWERENDE SCHRIFT

MONUMENT TO DEMOCRACY

KENT STATE

THE SUN AS ERROR

FOUND TRANSPARENCY OF SUE LYON (DOCTORED)

PORTRAIT OF MARK E. SMITH

CUTTING FROM AN ARTICLE ON NORMAN POTTER’S PENTON KITCHEN

ROYAL CANADIAN LEGION, BANFF

A.J. AYER’S HUME

ESPERANTO MOTTO

ISOTYPE CHARTS FROM ATLAS: SOCIETY AND ECONOMY

SCORE FOR CLAPPING MUSIC

PROMOTIONAL CARD FOR NICK LAND’S FANGED NOUMENA

OBITUARIES 1999

COURTESY OF SETH PRICE (MALLARME/BROODTHAERS)

MITIM GAMMA TYPE SPECIMEN

ART BOOKS NOW

SCARLET ELSE

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WHERE WERE WE SHOP SIGN

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FURTHER LSD BLOTTER ART / SEX PISTOLS’ PRETTY VACANT 7" SINGLE SLEEVE

FANTASIST

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BLACK WHISKY (BLIND PROOF)

THINKING MORE ABOUT PRODUCTION THAN CONSUMPTION

THE * AS ERROR

CALLIGRAPHY FOR EXHAUSTION & EXUBERANCE

PORTRAIT OF GENESIS BREYER P-ORRIDGE

INFORMATION IS LIGHT

BANG LSD BLOTTER ART

PHOTOGRAPH OF BUTCHER’S BAR, LONDON EC1

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SCIENCE, FICTION (ABSTRACT)

COMPOSITE MECCANO PRINT OF THE NUMBER 5

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REMARKABLE

FRONT/BACK PORTRAIT OF ROBOT GILBERT ADAIR

ACETATE SHEET WITH SUM

SKEPTICISM AND AFFECT

ANOTHER SHADOW FIGHT

PERSEVERE IV

ARRANGEMENT FOR MY BETTER HALF

BAUHAUS YOGA

IMAGE OF TWINS PLAYING WITH A PACK OF PARALLEL CARDS

A MMOUSE ABOUT TO ENTER THE PUBLIC DOMAIN

BLAZON 4 MOHOLY-NAGY

PERSPECTIVES

MURIEL COOPER SELF-PORTRAIT WITH POLAROID SX-70, VIDEO IMAGED AND PRINTED AT THE VISIBLE LANGUAGE WORKSHOP, 1977

META-THE-DIFFERENCE-BETWEEN-THE-TWO-FONT COMPOSITE GLYPH

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FRAME

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GREY PAINTING: TEXT VERSION 2

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UNISEX WATERPROOF REVERSIBLE SERVING JACKET

JOHN COOPER CLARKE SONGBOOK

VECTORS FOR LOOKING

ON 1984 AND BEYOND

TY I JA MAGAZINE

WOODSTOCK MOVIE